Today’s recommendation is a wonderful cover of Wanda Jackson’s ‘Funnel of Love’ by SQÜRL, the band led by director Jim Jarmusch and recorded for his film Only Lovers Left Alive. The track is considerably slower than the original, but the pulsating music and the gritty guitars complement the song perfectly and set the sensuously laid-back pace for the film. Follin’s voice captures Jackson’s mischievous snarl perfectly but with a contemporary bite. Jarmusch would be hard-pressed to have chosen a better opener to the film. It’s also a great song to put on when you’re kicking back on the couch with your precious vial of O-negativa in a century-old dressing gown – if you’re an ancient vampire like Adam, that is.
Read more "REC [Track]: ‘Funnel of Love’ – SQÜRL ft. Madeline Follin"Month: June 2014
Earworm of the Day: ‘The Greatest’ – Cat Power
I really don’t know how this song ever fell off my radar – I knew about it and have heard it before, but it never really stuck until recently – as it is simply, to say the least, beautiful. The huskiness of Chan Marshall’s voice works perfectly with the warmth of the strings playing the motif in […]
Read more "Earworm of the Day: ‘The Greatest’ – Cat Power"Songs I love, movies I hate
This entry is a bit of a random one: there are a couple of songs that are really good but which have the misfortune of ending up in absolutely terrible films. Films generally love to jazz their cred up a bit by commissioning songs from hot indie/alternative/pop artists, but these deserve the prize of having […]
Read more "Songs I love, movies I hate"Fear, the critic and the musician: the Bermuda triangle of art and music
I was prowling the Stereogum website in search of some ideas for what to write about, and stumbled across their Album of the Week feature on How To Dress Well’s “What Is This Heart?” I reached this part of the write-up: Most of the time, the music parts and fades to the back when his voice […]
Read more "Fear, the critic and the musician: the Bermuda triangle of art and music"REC [Single]: ‘Lionhearted’ (ft. Urban Cone) – Porter Robinson
GIFs from the action-packed video to this single have been circulating on social media sites for a while since its release, but let’s not forget about the music, first and foremost. Porter Robinson, an electronic music producer from North Carolina, delivers an electro-house track with an immensely uplifting crowd-sung chorus (‘We’ll finish what we started!’) and an irresistible synth riff that dances all over the place – as you would, after listening to it. A worthy track for anyone in need of courage in the form of decent electronica. The bad-ass video certainly doesn’t hurt, either.
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REVIEW [Single]: ‘Home’ – Leah McFall
I’ll stream it but I won’t buy it: Bastille and the charts
So apparently from the 6th of July this year the UK official singles chart will take into account statistics from streaming services such as Spotify, and the news is that Bastille’s ‘Pompeii’ (EH-EH-OH, EH-OH, EH-EH-OH, EH-OH … ring a bell?) is the most streamed song in the UK, with approximately ‘26.6 million streams on average per week’. That means that […]
Read more "I’ll stream it but I won’t buy it: Bastille and the charts"REC [Single]: ‘Brooklyn Baby’ – Lana del Rey
She’s already everywhere, music-press-wise, but oddly enough Ultraviolence still seems to be somewhat under-mentioned by the people that I know. What I don’t understand is, why aren’t they as crazy about the album as I am?
‘Brooklyn Baby’ is, for instance, a brilliant piece of work where the dreamy, hazy mush of instruments and LDR’s usual hypnotic voice belies the fact that she is in fact subtly making fun of the Williamsburg hipster archetype ‘who gets high on hydroponic weed’. Just one of the many tracks on Ultraviolence that pay tribute – with tongue in cheek, naturally – to LDR’s beloved ‘merica.
Highlight of the track: when she mischievously slips into an emphatic New York accent, singing, ‘twalking ’bout that newer nation’.
Read more "REC [Single]: ‘Brooklyn Baby’ – Lana del Rey"METAKOUSTIK: what’s it all about?
The premise is simple: I challenge myself to write something about music every day for the next 30 days at least, whether reviews, commentaries/columns/essays, or even just short, straightforward recommendations. It will happen whichever way it does. I promise nothing, and I can’t do everything, but I will do my best to come up with something […]
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